1. Introduction
2. The Traditional Christadelphian Interpretation
3. Problems with the Christadelphian Interpretation
4. The Woman's Appearance
5. Identifying the Woman
6. Conclusion
1. Introduction
A couple of years ago I wrote an article entitled
The Male Child of Revelation 12: Constantine or Christ? There I challenged the traditional Christadelphian interpretation that the "male child" of Rev. 12:5 is Constantine, the fourth-century Roman emperor, and explained why biblical scholars universally agree that the male child is Christ. Unfortunately, this misidentification of the male child is just one of three major "wrong turns" that Christadelphian expositors have made in their reading of Revelation 12. The other two concern the meaning of the "woman clothed with the sun" (Rev. 12:1) and the "great red dragon" (Rev. 12:3) respectively. Although the dragon is explicitly identified as the Devil (Rev. 12:9), this does not resolve the issue for Christadelphians due to their idiosyncratic understanding of the biblical Devil. In fact, Christadelphians have traditionally regarded the dragon in Revelation as symbolizing the pagan Roman Empire. The dragon will not be discussed in detail in this article (but see
note 22). Instead, this article examines the identity of the "woman clothed with the sun" who is the male child's mother in the vision. A translation of the most relevant verses of Revelation 12 is as follows:
1 A great sign appeared in the sky, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. 2 She was with child and wailed aloud in pain as she labored to give birth. 3 Then another sign appeared in the sky; it was a huge red dragon, with seven heads and ten horns, and on its heads were seven diadems. 4 Its tail swept away a third of the stars in the sky and hurled them down to the earth. Then the dragon stood before the woman about to give birth, to devour her child when she gave birth. 5 She gave birth to a son, a male child, destined to rule all the nations with an iron rod. Her child was caught up to God and his throne. 6 The woman herself fled into the desert where she had a place prepared by God, that there she might be taken care of for twelve hundred and sixty days...
13 When the dragon saw that it had been thrown down to the earth, it pursued the woman who had given birth to the male child. 14 But the woman was given the two wings of the great eagle, so that she could fly to her place in the desert, where, far from the serpent, she was taken care of for a year, two years, and a half-year. 15 The serpent, however, spewed a torrent of water out of his mouth after the woman to sweep her away with the current. 16 But the earth helped the woman and opened its mouth and swallowed the flood that the dragon spewed out of its mouth. 17 Then the dragon became angry with the woman and went off to wage war against the rest of her offspring, those who keep God’s commandments and bear witness to Jesus. (Rev. 12:1-6, 13-17 NABRE)
Christadelphians have traditionally applied a historicist hermeneutic to the Book of Revelation, reading its signs and symbols as prophecies of significant historical events from the first century A.D. (when the book was written) through the present to the future consummation of all things. Within this historicist paradigm, Christadelphians have seen in chapter 12 of Revelation a prophecy concerning the political and ecclesiastical events of the fourth century A.D., particularly the rise of Constantine to the imperial throne and the consequent change of Christianity's political fortunes from persecuted underground movement to State-endorsed religion.
John Thomas, the founder of Christadelphians, wrote a voluminous work on Revelation entitled Eureka: An Exposition of the Apocalypse which set the tone for most Christadelphian interpretation of Revelation to follow. Thomas consistently assumed that cosmological terminology (e.g., sun, moon, heaven, earth) in Revelation denotes political realities. Thus he referred to the sun mentioned in Rev. 12:1 as "the Roman Sun," symbolic of imperial power that the pagan State surrendered under Constantine: "The total eclipse of the pagan sun...finally and effectually signalized the departure of the pagan heaven as a scroll rolled up." He adds that
the sun of imperial power and majesty emerged again from the hair-sackcloth blackness of the darkening and sanguinary revolution by which it had been obscured...Whatever the woman may signify, this investiture [with the sun] symbolizes the clothing of the thing signified with supreme imperial authority, so that whatever might emanate from the woman would be by the sanction and co-operation of the highest orders of the state.
Thomas believed that the woman of Revelation 12 had to be interpreted in continuity with two negative female figures mentioned in the book: the pseudo-prophetess Jezebel mentioned in the oracle to Thyatira (Rev. 2:20-23) and the great prostitute Babylon seen in the vision of Rev. 17:1-6. Balancing this desire for continuity with the apparently positive things said about the woman of Revelation 12, Thomas arrived at a complex interpretive scheme in which the woman of Revelation 12 is a twofold woman:
Hence the figurative woman of ch. 12, invested with the Roman Sun, and fleeing from the Dragon, represents the whole ANTIPAGAN COMMUNITY; the vast majority of which answered to Jezebel and her children; while the remainder, with whom alone the doctrine of Christ was to be found, refused to have anything to do with a church in alliance with the "dreadful and terrible beast having seven heads and ten horns." These two divisions of the antipagans, though opposed on the question of church and state alliance, were agreed in their hostility to the ascendancy of the existing Imperial Idolatry, which grievously afflicted them all. The first ecclesiastical separation of these two divisions did not occur till after the birth of the woman's son, who was to rule all the Greek and Latin nations with an iron sceptre. When this event transpired, the anti-state church party repudiated the desecrating alliance with emperors and their courts. They refused to recognize the emperor's claim of being at once the representative of the Sixth Head of the Dragon, and Bishop of the Bishops of Christ. The truth was with this party. They seceded; and by their secession incurred the enmity and bitter hostility of the New Church imperially established. The secessionists became the subject of virulent persecution by this new power, which caused them to take refuge in the wilderness. In this flight they are prefigured by the woman, who therefore leaves behind her the sun and moon, and wreath of twelve stars...But, though "the Lamb's Woman" refused to be,allied to the Roman State, and retired into the wilderness, the State-Church Woman, Jezebel, was not so scrupulous. As "the church by law established" she retained her place in the heaven; and became "the Great Harlot" of the world. Little notice is taken of her apocalyptically until she is exhibited in ch. 17:1, in all the enormity of her profligate career. In this scene, she appears in the wilderness, into which the Anti-State Church Woman fled... What a remarkable contrast between these two apocalyptic women. The one, Jezebel, the Great Harlot and the Mother of Harlots; the other, the Lamb's wife and the Mother of all the Saints.
Thus, according to John Thomas Revelation 12 foretells a struggle between Christians and pagans, but also a struggle between two women representing two constituencies within the Church: the false woman Jezebel who aligned herself with imperial power, and so became the great prostitute of Revelation 17, and the true woman who refused to so align herself and thus seceded from the Church. What historical individuals and groups does Thomas identify with this true woman?
But when Constantine came to recognize the catholic sect as his Mother Church, what became of the rest of the Anti-pagan Body — "the whole body of the Christians" besides, namely, of the Novatians, Donatists, Valentinians, Marcionites, Paulists, Cataphrygians, and others? They were still "the Woman," only minus the catholic sect. Whatever other differences obtained among them, they were generally opposed to the union of church and state; for, as all of them could not be the world's church, they were displeased at any one sect enjoying that pre-eminence over the rest. "What," said they, "has the emperor to do with the church? What have Christians to do with kings, or what have bishops to do at court?" Hence, without ceasing to be anti-pagan, they now became an ANTI-CATHOLIC BODY. This was the Woman" of the sixth verse of this twelfth chapter — the ANTI-CATHOLIC WOMAN.
In short, whatever non-Catholic sects existed in fourth-century Christianity, Thomas lumps together as "the anti-Catholic woman." He hastens to add that this anti-Catholic woman cannot be straightforwardly identified with Christ's faithful church, "for there were sects in her communion whose principles and practices were both worldly and unscriptural"; nevertheless he infers from Rev. 12:17 the existence of a faithful remnant, whom he likens to the Christadelphians of his own day. Thomas takes particular interest in the Donatists, with whose cause he identifies the flight into the wilderness in Rev. 12:6. He qualifies,
There was, doubtless, error and wrong-doing both with the Donatists and Catholics; but, as from among the Anti-baptist Campbellites was originated...by the laver of the water with doctrine (Eph. 5:26), the CHRISTADELPHIAN DENOMINATION; so from among the anti-catholic Donatists began to be manifested in the three years of their trials before Constantine and his bishops, by the sealing angel that had ascended from the East (Apoc. 7:2), the first of "the remnants of the woman's seed, who keep the commandments of the Deity, and hold the testimony of the anointed Jesus." The name of this first remnant, if it had any other than Donatist, has not come down to us. But it matters not what it was called in its beginning—it was the sect composed of 'the servants of the Deity sealed in their foreheads.' This is the apocalyptic description of it. Arising in the epoch of the Donatist trials, and being with the Donatists intensely anti-catholic, it is very likely to have been confounded with them...
Let us be clear about what Thomas is doing in this paragraph. He believes the historical circumstances of the Donatists fit the text of Rev. 12:6 well, but he knows that what is known of Donatist doctrine does not align with Christadelphian doctrine. Because he cannot claim the Donatists as the spiritual forebears of Christadelphians, he imagines into existence, without a shred of historical evidence, a group that broke away from the Donatists and shared identical doctrines with modern-day Christadelphians. This is about as fanciful and speculative as biblical interpretation gets!
John Thomas's protégé and successor as de facto leader of the Christadelphian community, Robert Roberts, upheld his mentor's view in his own work Thirteen Lectures on the Apocalypse. "There is no difficulty," Roberts explained, "in seeing whom [the woman of Revelation 12] symbolizes." She represents "the community of those who belong to Christ", but more specifically "Christ's church or ecclesia in Christ's absence and in the land of his enemies." He emphasizes that the woman here is not in an exalted state but a "mixed state" that includes those "who are in her and of her" but "do not belong to her". As Roberts moves to the sun, moon and stars imagery, the interpretation moves decisively in a political direction. To be clothed with the sun means to have the political ascendancy that comes with the emperor Constantine's friendship. To have the moon under her feet means to have absorbed the pagan priesthood into the Church. To wear a diadem of twelve stars means to bear the power of the pagan emperors of the past.
It thus appears that, far from merely having "many in her and of her" who do not belong to her, the Church has already been thoroughly corrupted by political and pagan influence at the beginning of the vision. Roberts then discusses the dragon and the male child, understood as pagan Rome and Constantine respectively, before commenting on v. 6. He admits that the woman's flight into the wilderness "seems a strange sequel" to her being robed and crowned with political power, but like Thomas he attempts to explain this paradox in terms of an internal division of the Christian community into the false Christians who "continued in the sun-invested position" of political power and the remnant of true Christians who refused to become involved in political and military affairs but kept the commandments of God as mentioned in v. 17.
Broadly viewed, they were both one community and therefore in relation to the Pagan dragon, one woman. In another relation of things, they were two -- the one the shell, the other the kernel -- the one the shadow, the other the substance. To the one class, Jesus tells us he will say in the day of account, "I never knew you" (Matt. 7:23). To the other, he will unite himself in glorious marriage as a bridegroom to a bride. In the ultimate aspect of things, the latter class only are the woman -- the Bride, the Lamb's wife; and although in relation to the aspects of human history, the nominal are part of the woman as well as the true, yet in even the current recognitions of Christ, the true only are the woman. The false are finally symbolized in the Apocalypse as a shameless prostitute.
Thus the pioneers of Christadelphia understood the woman of Revelation 12 as the Church of the fourth century, a community that had been largely corrupted by political and pagan influence but included a faithful remnant that had seceded from the main catholic Church. In short, the woman of Revelation 12 is largely a negative figure. Indeed she is the same woman as that seen in Revelation 17, where she has become the great prostitute, Babylon.
This strategy for interpreting the woman of Revelation 12 still prevails among Christadelphians today. David Green, for example, in a recent article on Revelation 12, explains that the woman in Revelation is "The church, chaste as the bride of Christ, a prostitute
when apostate". He goes on to explain "The dual aspect of the woman":
Why is it that in Revelation 12:1 the vision shows the church as a woman in the political heavens, glorified and powerful, and yet by verse 6 she is seen fleeing into the wilderness? The answer lies in the fact that the Christian church split into two distinct sections, the majority exercising power and the minority being persecuted. So it was that one woman became two.
Green follows Thomas in arguing that "the woman in the wilderness" of Rev. 12:6 refers to the Donatist schismatics, and hypothesizing the existence of a remnant, apparently within the Donatists, that "had a knowledge of the Truth," i.e. held to Christadelphian theology (despite a total absence of historical evidence for such a group).
To summarise, the traditional Christadelphian interpretation holds that the woman of Revelation 12 is the Church of the fourth century, a community that was largely disobedient, power-hungry and doctrinally corrupt (as the symbols of the sun, moon and stars signify) but that included a nameless remnant lost to history who believed Christadelphian doctrines and were persecuted by the larger Catholic Church.
I would like to issue a challenge to Christadelphians who favour the interpretation outlined above. This interpretation regards the woman of Revelation 12 as largely evil and in continuity with "that woman Jezebel" in Rev. 2:20-23 and the great prostitute Babylon in Rev. 17-18. In both Rev. 2:20-23 and Rev. 17-18 there is unmistakably negative imagery indicating unambiguously that the woman symbolizes an evil entity. "Jezebel" is named for a wicked Old Testament queen, is accused of practicing immorality and adultery and seducing others to do the same, and is warned of impending judgment if she does not repent. "Babylon" is named for a wicked Old Testament kingdom, is called a prostitute, is accused of sexual immorality and abominations, and her judgment and total desolation is foretold. My challenge to Christadelphians is this: where is this unambiguously negative language in Revelation 12? Where is the woman of Revelation 12 given a bad name, accused of anything or warned of impending judgment?
I cannot find anything negative said about the woman in Revelation 12. The alleged negativity seems to be tied up in dubious interpretations of two other symbols in the chapter: the notion that the male child of Rev. 12:5 symbolizes Constantine, and the notion that the sun, moon and stars of Rev. 12:1 symbolize political ascendancy and/or religious corruption. I have dealt with the male child (who is clearly Christ)
elsewhere, so will consider the symbolism of Rev. 12:1 below.
The second problem with the Christadelphian interpretation is that it requires the woman of Revelation 12 to be a dual figure who is sharply divided into two women: the Jezebel/Babylon prostitute figure and the Bride, the righteous remnant. However, the text of Revelation 12 does not indicate any such duality. The dual figure seems to rest entirely on assumption about "the rest of her offspring...those who keep the commandments of God and hold to the testimony of Jesus" (Rev. 12:17), namely that this group stands in moral and ecclesiastical opposition to the woman herself, or to the bulk of her offspring. However, the text does not indicate any such moral opposition or division. As will be discussed below, "the rest of her offspring" means besides Jesus himself, the woman's offspring par excellence.
The absence of any negative language used of the woman in Revelation 12 contrasts sharply with female figures in Rev. 2:20-23 and Rev. 17:1-6, whose negative characteristics are described in lurid detail. This contrast, together with the absence of any explicit duality or internal division in the woman, makes it extremely unlikely that the author of Revelation intends the reader to understand the woman of Revelation 12 as a morally compromised figure.
The vision is introduced with, "And a great sign appeared in heaven". Christadelphian expositors typically assume that "heaven" here refers to the "political heavens", a widely used and highly dubious notion in interpretation of biblical apocalyptic. However, the "heaven" described in this chapter is the abode of Michael and his angels (Rev. 12:7). Michael is unquestionably an actual angel (cf. Jude 9), and angels inhabit actual heaven (Gen. 22:11; 28:12; Matt. 18:10; Mark 12:25; Rev. 10:1; etc.), not any earthly political heaven. Throughout Revelation we read of voices from heaven, the God of heaven, God's temple in heaven, etc. Thus it should be regarded as very likely that "heaven" in Rev. 12:1 means "heaven"! Corroborating this, the Bride of the Lamb, the new Jerusalem, is later depicted as "coming down from heaven" (Rev. 21:2, 9-10). This corresponds also with other New Testament passages where a transcendent Jerusalem is described as heavenly (Gal. 4:26; Heb. 11:16; 12:22-23). Rather than viewing the heavenly location of the sign as some indication of the woman's political connections, we should take it as an indication that the woman represents a transcendent reality, namely the elect people of God.
Rather than relying on the fanciful, speculative political interpretation of the woman's garb, let us seek to ground our interpretation in biblical background. Before considering the significance of the sun, moon and stars, let us consider the significance of her wearing bright clothing and a crown (garland, to be precise). In Ps. 104:1-2, God clothes himself "with light as with a garment". Within Revelation, both the one like a son of man (Rev. 1:16) and a mighty angel (Rev. 10:1) have their faces likened to the brightness of the sun, while clothing, especially white or bright robes, represent purity and sanctity (Rev. 3:4-5; 4:4; 6:11; 7:9; 7:13-14; 19:14). Most strikingly, Rev. 19:8 states concerning the Lamb's Bride, "It was granted to her to clothe herself with fine linen, bright and pure - for the fine linen is the righteous deeds of the saints." The Greek word translated "bright" here, lampros, can depict the brightness of heavenly bodies, as in Rev. 22:16, "I, Jesus...the bright morning star." There is no instance in Revelation of white or light-coloured clothing symbolizing something negative. Garlands/crowns also have predominantly a positive connotation in Revelation (2:10; 3:11; 4:4; 4:10; 14:14; but see 6:2; 9:7). Thus, prima facie the picture of a brightly clothed, crowned figure in heaven suggests a righteous entity in good standing with God.
What does the sun, moon and stars imagery add to this picture? Prigent observes how
Isaiah announces to the new Jerusalem, to whom he addresses himself as the bride of Yahweh, the mother of the eschatological people of God, that she will appear in divine light and beauty: 'Your sun shall no longer set, nor shall your moon disappear' (Isa 60:20).
Joseph's dream recounted in Gen. 37:9, in which the sun, moon and eleven stars represent his father, mother and brothers respectively, also support interpreting the woman's garb as representing corporate Israel, with the twelve stars denoting the twelve tribes. Elsewhere in Revelation, imagery involving the number twelve is explicitly associated with the twelve tribes of Israel. In Rev. 7:4-8, the number of the sealed, 144 000, is divided into twelve groups of 12 000 each according to "every tribe of the sons of Israel." Again, the description of the new Jerusalem in Revelation 21—which city is explicitly identified with "the Bride, the wife of the Lamb" (Rev. 21:9-10)—includes twelve gates inscribed with "the names of the twelve tribes of the sons of Israel." The number twelve never takes on a negative significance in Revelation. The sun and the moon may represent majesty and beauty.
For these reasons, the description of the woman in Rev. 12:1 best coheres with the interpretation that she denotes the elect people of God. This is the consensus among biblical scholars, although it is debated whether the woman denotes Israel, the Church or both. If the woman is Israel, then her plural "offspring" may be understood as Christians, or perhaps Gentile Christians specifically. This would correspond with Revelation 7, where the 144 000 sealed on their foreheads represent only the twelve tribes of Israel, with Gentile believers mentioned separately as the "great multitude...from every nation" (Rev. 7:9). If, on the other hand, the woman is understood to be the Messianic Community (that which became the Church) without regard to ethnicity, then the woman's plural "offspring" should probably not be sharply distinguished from the woman herself. Perhaps the woman represents the Church in a more idealized or abstract sense, while "the rest of her offspring" refer concretely to individual believers who would suffer persecution in the future. For me, in light of Rev. 7:4-9, the most likely eventuality is that the woman denotes the faithful of the house of Israel while the "rest of her offspring" denote Gentile believers. In either case, it is important to note that "the rest of her offspring" who hold to the testimony of Jesus are not "the rest" in relation to other, disobedient offspring, but in relation to Jesus himself, the "male child"—the only other "offspring" of the woman previously mentioned in Revelation 12. This coincides with the theology of Paul, who depicts Christ as "the firstborn among many brothers" (Rom. 8:29) and also understands "offspring" or "seed" in Old Testament promises as both singular (Christ) and plural (his brethren) (Gal. 3:16, 29).
If we summarize the symbolic narrative concerning the woman in Revelation 12, it is evident that nothing negative is said about her. Her luminous appearance underscores her transcendent status as the people of God. Her conflict with the dragon-serpent (identified in the text as the Devil, evidently an angelic being) concerning her offspring no doubt reflects Gen. 3:15. She gives birth to the Messiah and then flees to a place of refuge prepared for her by God (v. 6). She is given the wings of the great eagle (cf. Isa. 40:31), nourished in the wilderness and protected from the dragon's flood in language that reflects Old Testament narratives such as the story of Elijah and the Exodus (v. 14).
Furthermore, the entirely favourable depiction of the woman in Revelation 12 rules out the possibility that the great prostitute of Revelation 17 (described in lurid terms) is the same woman, as has been asserted by Christadelphian writers. A study of Revelation 17 will have to await a future article, but the woman of Revelation 12 in fact represents the antithesis of the woman in Revelation 17.
Finally, the dominant and correct interpretation of the woman of Revelation 12 as the people of God does not rule out a secondary interpretation, popular in Church history, in which the woman is identified the Virgin Mary. This is because the Virgin Mary, besides being the literal mother of the "male child" Jesus, is the embodiment of the faithful people of God who await the Messiah, and the new Eve who is victorious over the dragon-serpent where the first Eve failed.
Footnotes